This set consists of:

• 1 large, mostly oval mirror-bottomed on an oak parquet floor surrounded by an ingot mold decorated with strong nets and staples, and placed on ball feet. Dimensions: 63cm x 85cm

• 1 pair of display units mounted on a round base with four winding feet which support a round openwork cup decorated with garlands of flowers with its interior dish signed “BOIN TABURET à PARIS”: Diameter 25.5 cm – height 15 cm

• 4 displays mounted on a round base with nets and staples, the ogee as well as the body of the openwork cup decorated with garlands of flowers, interior of the cups signed: “BOIN TABURET à PARIS”: Diameter 24 cm – height 6.6 cm

• 1 oval pedestal planter with threaded base and staples, cove and openwork body and decorated with garlands of flowers, ribbon-shaped grips and interior cut signed "BOINTABURET A PARIS" Length 42.5 cm x 29.5 cm

• 6 round bottle coasters with radiating decoration and nets and hooks around the edges, monogrammed. Diameter 15.5 cm signed "BOINTABURET A PARIS

• Set of five Ewers in radiant crystal mounted on a vermeil base decorated with nets and staples, adorned halfway down with a garland of flowers, connected to the neck by a vermeil handle the crystal neck inserted in a vermeil with hinged lid, decoration of flowers and nets.

All of these pieces are in vermeil Hallmark MINERVE 1st title Epoque XIXè _

Weight of the weighable parts 15 kilos 435 approximate (except ewers and above all)

Goldsmith: BOIN TABURET IN PARIS

BIOGRAPHY The two goldsmiths Georges Boin and his son-in-law Emile Taburet created the Maison Boin-Taburet around 1875. They produced numerous pieces of goldsmithery inspired by the magnificent services of the 18th century. For his first exhibition in Paris in 1878, Georges Boin presented a toilet service inspired by the work of Pierre Germain. For the Universal Exhibition of 1889 in Paris, we owe him several centerpieces, including one executed from the drawings of the famous designer and ornamentalist Juste Aurèle Meissonnier; as well as Louis XIV and Louis XVI style tea sets. It also presents a soup tureen and its tray after Pierre Germain for the Jockey-club. The Maison Boin-taburet participates in many fairs and exhibitions, in particular those of 1878, 1889, and 1900. It will thus contribute to the rebirth of French silversmithing in the 19th century.